




Peter Hessler spent two years in Fuling, a remote town where he was the only foreigner among 200,000 locals. Students wrote detailed diaries about his daily habits, from scratching his nose in class to playing frisbee after dinner, projecting their own ideas of what an American is. At first, this scrutiny felt overwhelming, but it quickly became a window into a world rarely seen by outsiders. Because the people of Fuling were not performing for a foreign audience; they were just living their lives, and Hessler was there to witness it all, dismantling lazy stereotypes about China by focusing on individual stories with hopes, fears, and contradictions instead of reducing the country to a monolithic threat or quirky cultural oddities.


